I have been putting off writing about a special twenty-year anniversary. But first, apologies are in order.
Yet again, I find that another season has passed without me writing here. This was never meant to be a quarterly affair, but so it’s proved in recent months. The neglect is not solely down to lack of time – I find that the slowly unfolding horrors of the world (wars, bird flu and climate catastrophe, alongside bigotry, cruelty, and the wholesale dismantling of democracy and science in a certain quarter of the world) have stifled my inspiration. What can one possibly say that could encapsulate – gestures weakly at all of that – ? Future historians will have plenty of material to dissect, so I’ll leave them to it.
My paper journal, which I still tend to most days, is so lost for words that it’s lapsed mostly into descriptions of my garden, whose inspiration, on the other hand, is boundless. I feel a strange urgency to record its infinite charms, even though there are only so many ways that I can rejoice in my tulips, or the way that it feels to tug a particularly long chain of sticky goosegrass from among them. Flip through its pages and you will occasionally find other musings: impressions from my many travels, jotted down in airports, hotels, foreign café tables, interspersed with worries about keeping the lab stocked with fresh grants. Otherwise it’s the orderly succession of snowdrops to crocuses to daffodils to hyacinths to tulips to bluebells. Seedlings in indoor propagators under artificial light slowly graduate to larger pots in the greenhouse, waiting until it is reliably warm enough to plant them out in the beds, where they will battle it out with weeds, slugs, drought and insects. All of this, playing out each year like a well-oiled West End production, with only a few minor variations keeping up the tension: one year it took three successive sowings to get courgettes that did not rot away, a mystery that we never solved; this year, it is the etiolated tomatillos that have terminally failed despite multiple attempts, and the first rows of parsnips did not germinate at all.

An encouraging upward trend of fiction about scientists
But I promised you news, appropriately belated as are all things in my blog now. March marked the twentieth anniversary of LabLit.com, my humble science/literature/cultural magazine launched as part thought experiment, part guerilla action, to shed light on the relative scarcity of scientists in novels and, perhaps, in my own small way, to try to rectify it. LabLit.com still has a following, despite recent years of shocking neglect, and I’m proud of having hung in there despite lacking the time and energy to coax it into anything bigger. Alongside the original fiction we publish, its crown jewel is the List, a curated database of realistic fiction featuring scientists plying their trade. When we launched in 2005, the compendium only contained about a hundred novels – now it stands at 495. While part of this is down to continual searches amongst older literature, it’s also driven by a year-on-year increase in new ‘lab lit’ novels, as you can see from the graph above that we complied for the magazine’s anniversary edition. (If you’re interested in reading more about the project and the people behind it, all the links can be found in my 20th anniversary editorial.)
Today is my last day of Easter break before returning to the lab. It’s been a restful and much-needed time away from the stresses and anxieties of work, with cold sunny days spent in the garden and not much accomplished (a good thing in this case). I’m sitting here at my table under the grape arbor in the far back, next to the cascade with its soothing rush of water. The pond into which it empties is a green baize of duckweed dotted with pink cherry blossoms; beyond it our bees seethe industriously around their hive. The air is scented with blossom. Birds sing, and the sun warms my face. All is green, liquid, dreamy.
One last day, just for myself.