I’ve just been checking the OT stats and I think the killer post to end all posts would be a massively cooperative film, made by working mothers, about animated dinosaurs.
That is all.
I’ve just been checking the OT stats and I think the killer post to end all posts would be a massively cooperative film, made by working mothers, about animated dinosaurs.
That is all.
(Lazy cross-post time: also at Naturally Selected)
One of the first and most important things a neophyte scientist learns–or at least, is taught–is the importance of keeping a comprehensive and accurate record. We all know it’s a good thing, and yet I’d wager most of us struggle with it. Who hasn’t scribbled a calculation or a measurement on a handy paper towel, with all the intentions of taping it in or copying it to our notebook, only for it to go missing somewhere twixt lab and office? Or for it to turn up, months later, made illegible by a mix of coffee rings and Coomassie stains?
Everything should be recorded. The practicalities of this, however, together with the effort involved in keeping a proper index, often mean that some things, often things that seem of only minor consequence, go unrecorded. And this is a real pain when you come to write the paper and realize you can’t remember whether you cloned your fragment using NotI or KpnI; or both; or perhaps it was EcoRV…
Electronic notebooks and other wild ideas might help, but there’s nothing quite like having to trawl through random pieces of scribbled-on tissue while writing up Materials and Methods to bring home the importance of a well-kept notebook.
Unless it’s a Nature retraction.
In my trawl through the F1000 database for retracted papers, I stumbled across this comment:
Unfortunately, however, a proper data notebook is not available as evidence to support our findings, which constitutes non-adherence to ethical standards in scientific research.
Note there is no suggestion of fraud or other shenanigans, and indeed, “There are several independent papers supporting” the findings (also see this one and here.) But,
In accordance with the recommendations from the National Institute of Advanced Industrial Science and Technology, K.T. therefore wishes to retract this paper.
A harsh lesson. Supervisors and students should learn it well.
I asked someone to send me a brief CV in relation to something I was doing for the day job. They took me at my word, and sent this haiku:
I sit on my butt
Hiding from controversy
Dispensing wisdom
So this perp is evidently some kind of administrator. But some of you have much more exciting jobs, and now it’s your turn–please, let me have your job description in haiku, limerick form or rhyming couplets. And to make it interesting, I’ll buy a pint or two–or another, equally appetizing prize–for what I deem to be the best.
Go to it!
[UPDATE 13082011] I’ve decided to raise the stakes. A signed copy of Jenny’s book (either/or) is now on offer for the very best, and there may be runners-up prizes too.
It’s been a strange couple of days. We’re sitting at our laptops, trying to work but keeping an eye on the Telegraph‘s live feed and another eye on Twitter. There are sirens in the middle distance. Tits and sparrows are pecking at the bird feeder.
I worked at home today. About half past one, just after I’d returned from a lunchtime jaunt to Canary Wharf, I heard a load of sirens, quite close. Twitter and the live feed were talking about Lower Road and Surrey Quays shopping centre being next in line. I discovered that the sports store, Curry’s and T-Mobile had been robbed last night, although there were no reports of rioting that close to us. Someone on twitter said it was quiet, but ‘tense’. I decided I should check it out myself.
So about an hour later I took what I called an “unarmed reconnaissance” trip on my bike—although I did carry my heavy D-lock with me. Quite a few people—shoppers, by the looks of things—seemed to be heading towards Tesco. There wasn’t a hoodie in sight. I rode round the car park and looked towards Lower Road: not as busy as usual, but people around, doing normal people-y things. A few shops were shuttered up, but there was no sign of trouble.
In Surrey Quays itself, one of the doors was closed to people going in, although people were coming out. Workmen were starting to repair some damage. The other door was open, and although Tesco seemed to be as busy as usual the shutters were down further in. I even met my neighbour, pushing her pram.
I went to look at Decathlon, noting that a couple of windows were boarded up and it was dark inside. I took a photo of the sign on the door—and three black men walked towards me. “What did you do that for?” one asked. “So I can let people know what’s going on,” I replied.
One of them looked at my big, heavy, D-lock. I smiled and nodded towards the library. “I live round the corner,” I said. This seemed to calm them down. “Are you keeping on eye on things here, making sure it’s all right?” They said they were—I thanked them, and rode home.
I can’t imagine the landlord and patrons of the local pub standing for any nonsense, either.
Sir Hugh Orde, head of the Association of Chief Police Officers, has said in the Guardian,
What is happening in London is not an insurgency that is going to topple the country. There are 8 million people in London and it is a tiny proportion doing this. They are gangs of looters and criminals and although it is concerning it has to be kept in proportion.
Now, and strangely for this time of evening on a Tuesday, St Mary’s Church is ringing its bells. It’s a little bit crazy out there, but we’ve had worse. Everything’s going to be all right. But that’s no reason not to enjoy some Clash…
Here the UK we have an “e-petition” website, where you can get get a bunch of like-minded people to sign up to your latest crazy idea and if you can find another 99,999 crazies then the Government has said it might consider debating your proposal. There was a lot of fuss yesterday, on twitter and in the news, about a petition to bring back capital punishment. Less fuss was made of the fact that there were twice as many petitioners for the contra motion.
A meme I saw repeated on twitter was that those who were campaigning for the return of the death penalty were those who also oppose abortion, as if this was both illogical and morally repugnant. (There is in fact an argument to be made that the innocent should be given a chance, while those who are clearly guilty have blown it—but that’s besides the point here.)
It’s equally logical to assert that those who are against capital punishment are also those who are in favour of killing unborn children—phrased like that, equally illogical and morally suspect.
The problem here is that, especially on twitter and in blogs and other forms of social media, subtleties and caveats and nuance are lost as we seek to beat the other side into submission—or at least to make them look foolish. There are, I think, few questions that resolve neatly into yes/no camps; and saying ‘yes’ to one never necessarily means an automatic ‘no’ to another. Look: the question “Have you stopped beating your wife yet? Answer yes or no” does not admit to an answer from a reasonable person. Equally, “Are you against abortion/Do you support the death penalty” in all cases is not a simple yes or no matter.
We could actually get somewhere if we stopped painting ‘the opposition’ in such simple terms. It would be even better if we realized how much our perceptions of someone who disagrees with us on one matter are shaped by either a few media-hogging loons, or the media itself, or both. But it’s far easier, far more satisfying, and far more effective in bolstering your own particular prejudices and gaining support, to demonize those you love to hate, and ascribe to them logically improbable positions to shore up your own prejudices and stop you engaging with the issue to hand. You’re white; I’m black: we must fight until one of us is dead.
A long time ago, in a galaxy far, far away…
Before Experimental Heart was published, a discussion at the LabLit fora centered on whether it was possible to write an exciting story that remained true to real lab life. I maintained that it could, and in the best traditions of empiricism set out to prove it by experiment.
This led to a collaborative writing project: I set the scene, we gathered some characters and people to write them, laid some ground rules and the Experimental ‘Lab Lit’ Fiction Corner was born.
And for a while, the experiment was a success. Characters and plot developed, dark goings-on were revealed, mysteries deepened and pulses quickened. Unfortunately, time and trouble got in the way—I suffered from depression, people were busy, I moved back to the UK; the momentum was lost.
The story was never finished.
I’ve toyed with the idea of finishing the story myself—after all, I know the plot and how I want it to resolve—and producing it as a radio play, or something like that. But the other night, Jenny and I came up with a better idea: let’s finish the damn thing the way we started. But what we’ll do is apply a bit of pressure, and complete the experiment in full view of the internets.
Here’s the plan.
I’m going to edit what we’ve got already, and serialize it here at Confessions over the coming couple of months. That will give me impetus to get it into shape. I’m getting in contact with the other writers, and it will encourage them to produce something. I’ll give them more guidance as to where they should be taking it, which means they can concentrate on writing rather than plotting (or understanding just what the blazes is going on).
The story will develop over at the LabLit fora, and I’ll post edited versions here a few days after they appear there. And I encourage you to add comments in the forum thread created for the purpose. You can also read what we’ve got so far in that forum, but you might like to pace yourself and wait for the serialization here—it’s completely up to you.
Oh, and I’m trying to trace all the writers we had before. Some of them might not be able to commit, so if you want to volunteer to take over a character, please let me know!
Wish us luck.
(And we can still produce it for radio—or podcast, at least—at the end of it all.)
Opposite the advertisement for the Grant Arms Hotel, Grantown-on-Spey (“The Wildlife Hotel”) in Autumn 2011’s Birds magazine from the RSPB, Caroline Nash tells us she’s helping to save sparrows. As you might know, sparrows—which for some of us are the epitome of garden birds—are declining in numbers across the UK. Nash is working on a project to find suitable habitats for the insects sparrows feed on, and is monitoring how sparrows use the different habitats the RSPB has set up in London parks.
Since last summer we’ve had two bird feeders hanging off the balcony above us. One contains peanuts, and is frequented by great tits, blue tits and various finches (mainly greenfinches, but I’ve seen a goldfinch too). Oh, and a squirrel who had the grace to look guilty when I drew back the bedroom curtains one Sunday morning. The other feeder contains bird seed (which does not, to my disappointment, grow into baby birds).
Anyway, this feeder has been empty for a few months. The reason for this is the dirty pigeons that infest London. When I installed the feeder, I used the smaller perches, because “Pigeons and other large birds” weren’t supposed to be able to stand on them. These pigeons found a way. So I then cut off the crossbar of the perches. The tits and finches could just about stand on them; the pigeons figured that they could hit the feeder and make the seed fall out, whence they could eat it (and crap all over my porch to boot). All my efforts at pest control failed. No amount of intense green laser beams in their eyes would make them stay away for long. I seriously considered investing in an air rifle but using it to best effect would involve some serious remodelling of the back door.
The time came for me to troop into Robert Dyas and buy some more peanuts for the first feeder. As I was there, considering giving up on seeds and getting a second peanut dispenser, I saw they had seed feeders that were supposedly squirrel- “and other large birds”-proof. Score.
I bought it, and a new bag of seed, and installed it on the porch. The result has been some very pissed off-looking pigeons, and—finally!—house sparrows in my garden.
I call that a win.
At the pub the other night, I was asking how a friend was doing. He was particularly busy, it appears, because he had to attend students’ exhibitions, located inexplicably at inconvenient and distant locations the length and breadth of town. Tiring work, crossing London in the slivers of time between overlapping appointments. At least, I opined, he was getting to see lots of new art. That must have been exciting.
Well, no, as it happens. The artwork he was seeing was invariably, to use a technical phrase, crap. Apparently objects, and the placing thereof, are in this season. And my friend (an art consultant, by the way. He makes his living brokering deals between artists and law firms with too much money) was pretty heartily sick of it. Just objects, random things that could have been (and probably were) picked up off the street, arranged according to the artist’s and displayed. You know it’s art, see, because each exhibit has a little white card that says so.
Now curiously enough, I had my camera with me—I was fresh from the Royal Society’s Summer Science Exhibition where I’d been gathering material for a piece in The Scientist. Oh ho, I said, you should take a look at this, and pulled out my camera to show him a photograph.
Now you see, he said, that’s actually quite good. At least there’s two rows of things, and the objects are interesting. Maybe even worth showing it to someone.
Funny, I said, because I took that photograph this morning. It’s my bedroom windowsill and I arranged the coins like that when I was talking to my mum on the phone last night.
Art has this problem, doesn’t it?
Ever since the first not-quite-an-ape-not-quite-yet-a-man smeared soot on the wall of a cave, we’ve argued and quibbled about the definition of art. How do we tell what’s art, and what’s the work of some loon having a laugh? I’ve heard that art can be defined in the same way as pornography: you might not be able to describe it but you know it when you see it. Art—let’s say something is art if I, the artist, say it is and at least one of you agrees with me.
Science tends to have it easy, when it comes to definitions. At least, among those who can see homeopathy for what it really is (to take a random example). There are methods and protocols and skill-sets and—well, those exist in art too. You’ve got to be bloody good at representing the true human shape to be a Picasso. You have to understand colour and form to be a Pollock. You might say that your seven year-old could do that, but he didn’t, and, really, I bet he couldn’t.
None of this touches on whether real art—or real science—is actually any good, even if we admit it is real science or real art. That’s what the market does: in art, it’s down to whether anyone will buy it; in science, it’s how many people cite it or how much profit the drug company can make from it. A sunset may be beautiful, but it only becomes art when you paint it, or write a sonnet about it. And you could do a lousy job at that—but it would still be art.
Similarly, you can do science with an infinitely varying level of skill, but it’s still science. It might not be very good, and you might draw the wrong conclusions, and you might not be able to run a straight western blot—but it’s still science.
I think.
But does it matter? Does any of it matter? Does it matter if we can’t define art, yet we can define science? Would it make any difference if we couldn’t define science, as long as we got our medicines and iPhones and vacations on Europa? Would art be any the poorer, or richer, if it were definable?
Does it matter that these are just some half-structured random thoughts jotted down at the end of a tiring day; does it matter that it’s not writing; does it matter that it’s not art at all?
Except… I might claim it is.